Kickstarter

The Kickstarter tag identifies content focusing on Kickstarter or includes a game that has/had a significant impact from Kickstarter.

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Setup

Some gamers have a problem with spending too much time analyzing the game state before making a move. I usually don’t suffer from this affliction (or should I say my gaming buddies don’t suffer from my affliction), but most gamers will succumb to this to some degree at some point. I usually don’t get too bothered by this. I am by nature an analytical person and can get wrapped around the axel at times when all I really needed was a quick answer. A common example is when I am working on a game design and I wonder if a particular mechanic or theme or combination of these has been used before. Am I doing something new or inadvertently rehashing something already done. I end up doing a lot of research on the subject instead of just plowing through my design iterations. Maybe I am looking for convenient distractions so I don’t have to think so hard on the design.

Background

Previously I reported on some statistics for excellent games that have been published through Kickstarter and how Kickstarter has provided the opportunity for some new designers and publishers to launch successful game development companies. (Game Designers: Impressive First Impressions). One of the comments/criticisms that the article received was the common refrain, “Sure there are some Kickstarter successes, but just not many of them.”

Not one to stand by while anecdotes and opinion are used to substantiate claims, I dug into the Board Game Geek ratings for Kickstarted games compared to all games published in the years 2010-2014.

Setup

I was listening to a recent podcast… Gino of the Talking Tinkerbots podcast mentioned his frustration with the caveat, or even caution, applied by reviewers about games or Kickstarter projects by first-time designers. The discussion caused me to think about some of the successes and failures of first-timers and to do a little research that might prove interesting. I understand the concern related to “unproven” designers or publishers, but appreciate the perspective that I think Gino was applying.

Not that this article is intended to be a logical argument, but in logical argumentation the problem Gino has pointed out is known as a Genetic Fallacy. Something is bad/good because of its origin.

It would be too easy to focus on the negative here: First-timer Kickstarters that funded but ultimately failed and games that didn’t meet gamer expectations, etc. or to defend first-timers by focusing on “known” designers and publishers failing on the same criteria. The fact is, examples of both are plentiful – I regretfully have some of each (first-timers and known designer/publishers) in my game collection as evidence.

Instead, I want to:

  1. Take a positive approach to first-timers and provide a few examples of “Impressive First Impressions.”
  2. Provide a few examples of the games by established designers that were their first or early designs.
John Parker

In recent days, and only 8 days apart, there have been two Kickstarter campaigns in the Tabletop Game category that have absolutely exploded. Thanks to a convenient list on ICv2 (Top 10 Tabletop Kickstarters) the following is easy to report. On Feb. 11, 2015, Conan funded with the second highest total $ raised in the tabletop category. Just over a week later it was bumped down to third when Exploding Kittens took over the top spot, beating out the previous leader Dark Heaven: Bones by over 250%.

Self-Publishing: The Kickstarter Effect

This article looks briefly at self-publishing and the effect that Kickstarter has had on it. This is not a focus on Kickstarter itself, but there is more about it in Round 9: Dynasties.

At a Glance

Kickstarter has provided a platform for lone game designers to publish their work. Let’s take a look at the history of self-publishing and Print & Play games and see if we can detect any impact from Kickstarter.

Of the game design and development resources I have highlighted so far, this is the first that is a person rather than a brand. This is done with no intended slight to those highlighted previously; there are real people behind each one of them and in all cases a very small number of people (usually 2-4) behind each. What makes this case special is when I set out to write up this mention, I was at a loss to describe it in any way other than as Jamey himself.

The Dice Tower website, podcast, and anything you can think of to promote the board game hobby is the brain child of Tom Vasel. It is unlikely that you have found Opie Games without already being very familiar with the Dice Tower, but here is a quick breakdown. Eric Summerer has joined Tom as producer of the podcast and there are many contributors to the site and the web presence that is The Dice Tower. Tom and company produce an amazing amount of game related content every week.